Torchlight 2 Mod: “Essentials”

Like Diablo 2 with the Zyel mod (a collation of other mods + an awesome crafting mod), we’ve been waiting for a definitive collation of good mods for Torchlight 2 and here it is in “Torchlight Essentials.” The issue with mods is 1) which to get, 2) making your friends get the same ones, 3) getting games where everyone has the same mod. Collections of mods in one package,in my opinion, are essential to reduce the insanity. We tried it out Friday night and it was superlative.

New Pets!
New Pets!

The mod has a new class that mixes the mage and a close in fighter, the official 8 player muiltiplayer mod, the two mods (Blanks and Extra Chunky) from the Runic developers and a host of other vetted mods.  Highly Recommended.

Subscribe to the mod here: http://steamcommunity.com/sharedfiles/filedetails/?id=138228035

13th Age has FATE’s Chocolate in D20’s Peanut Butter

13th-Age-CoverI have been holding off on this post because the 13th Age core book was maaaaaat’s Xmas present and didn’t want to spoil it, but now I can wax on and on about how I think this is the version of D&D that I will actually run.  It’s got the D20 crunch and leveling with a lot of stuff from FATE and Feng Shui that I’ve grown to love over the years.  The game is a product of the two developers of 3rd and 4th edition D&D and represents, as near as they can agree on, their homebrew D20 system– and it’s awesome.

I’ve watched D&D from afar for awhile now, the tactical triumph of 3rd edition and the massive resurgence of the genre with the 1-2 punch of the LOTR movies and 3rd edition, then the Descent-like 4th edition (which should have just been a huge box set with tons of miniatures instead of the big ass books), the B/X-OSR movement with Labyrinth Lord and Lamentations of the Flame Princess bringing it back to the Basic D&D books we actually played back in the day (pulling only monsters and spells from AD&D).

All that said, I threw in the towel on actually playing D&D in the mid 80’s for various reasons– first off it got pretty boring. Roll up a character, fight in a dungeon, get loot, etc. By ’86 or so there were many other options and settings. Paranoia, TMNT (don’t laugh, it was a fun game), Cthulhu and the game that killed D&D for me for pretty much forever: Warhammer Fantasy Roleplay.

WFRP killed D&D for many reasons, first off it was badass visually. It’s like putting the Fiend Folio up against the Monsters Manual– the art in the latter, with the exception of Dave Trampier’s amazing work, PALES in comparison to everything in Fiend Folio. For the same reason WFRP’s art (and miniatures) were beyond compare in the late 80’s to everything else. Secondly, the game was mature and getting into the mid-teenage years, this was important, while 2nd edition D&D was artistically bland and took no chances at all with gore, WFRP was all about the goreplosions, insanity and corruption.  You weren’t just going into dungeons and looting stuff for the sake of loot, you were committing crimes and murders in a fantasy setting (or rescuing bratty noble kids) within a backdrop of an absolutely dismal (yet magical) campaign world. Your patrons were always the shadiest of individuals and every adventure threw new things at the players that were not dungeon romps at all, especially the axiom that is so important to good adventure design these days: “no good deed goes unpunished.”  Players weren’t plowing through hordes of over-used ‘non-humans,’ instead they were in deadly fights most of the time with humans or human-like mutants.  Anytime you’re up against non-humans in WFRP, likely you were dead meat.*

Third, the career system in WFRP was excellent and a vast improvement over leveling up. While it’s just a set of skill and bonuses, the WFRP career system still makes me want to play the game every time I read it. Instead of a flat set of stats and weapons (that are all just bonuses to your stats) WFRP had a rich set of skills for players to acquire that allowed the fighter and thief to be as interesting as the Magic users with their spells. Finally, the adventures went into some very morally difficult ground. It goes without saying that the quest and campaign writers on WFRP back in the day were doing things no one else (maybe Cthulhu) would even touch.

So why play D&D/D20 at all?  Why bother? There’s an itch that just can’t be scratched with the FATE/Cortex and that’s the dungeon romp and repeated monster smashing.   While FATE and Cortex (and their ilk like Burning Wheel) are amazing for short narrative campaigns, the play is missing three key things that D&D/D20 offers: Dungeon crawling with lots of fights, leveling up and magic items. What’s more, combats in FATE/Cortex are so definitive and deadly that it’s never about the grind: in an even fight likely some of the characters are going to take serious consequences or be taken out entirely.  Fights are always about story progression, and when playing FATE/Cortex, that’s awesome.

What 13th Age offers players and DM’s is the ability to have D20 style fights and levelling with some of the best parts of FATE/Cortex’s story driven elements.  Combat and combat power is taken out of the narrative system by design.  Whereas characters in 13th Age have ‘aspects’ (backgrounds) like FATE, they cannot be utilized in combat–but they are there for everything else to push the story forward.

So with the announcement of 5th edition D&D slating it for this summer and Pathfinder continuing on the grid-based, tactical version, I’m saying to my 2 readers that the new D&D is already here, and it’s 13th Age.  It’s not the D20 for every group but it’s a great compromise between the level up crunch and the narrative.

Here are a couple of high points:

  • Classes are extremely different – though there are three fighter classes and three spell casters, they all play different.
  • No XP, GM determines leveling when he sees fit.
  • No skills, backgrounds (aspects) instead which define narrative as well as skills.
  • Ingrained character relationships with powerful entities in the world that push the story forward.
  • All the good stuff from 4th edition for the grindy battles (recoveries, class powers, etc.) but no-grid battles that can be done completely without miniatures
  • Feng Shui style mooks

*Unless you were a naked dwarf

I got to play YOMI!

I’ve had my eye on YOMI, a card game that emulates video game fighting games in paper form for awhile now.  I initially assumed there was no way anyone could make an actual fun game out of this.  From experience as I’ve tried two of them from the olden days (Video Fighter [below] and Heavy Gear) as well as the goo,d but too simple, Brawl.

videofighter
Circa 1994- do you remember it? Likely not.

YOMI is available to play online and I gave that a go and it was just OK, it piqued my interest further, but I didn’t think it was all that great from playing the online version, which is exactly the same as the card game except you can’t read the cards.  You can technically read them, they just aren’t the focus of the game enough compared to when they’re in your hand.  This is huge detriment for a new player because I can say after playing the physical game that YOMI is absolutely superb at pulling off what it’s trying to do and it’s not well represented in the online version since the cards are small and not in your face.  So if you are going to give it a try, I would recommend playing with pieces of paper first.

The core mechanic, well it’s just rock paper scissors between Throw, Attack and Block/Dodge.  Seems simple?  It’s crazy complicated.  The rock paper scissors part is just the most basic mechanic. You play a single card each turn. Based on what you played and your opponent has played you can possibly play more cards to combo, extra defense, etc. and this is where the game gets crazy and the rock paper scissors mind game turns into a mechanic that works brilliantly instead of putting you to sleep as it should.  Each character deck that I’ve seen (played about 6 of them) plays very differently.  Some characters are good throwers, some rush down with tons of small attacks and combos and others  set you up for a big hit the whole match.  After just a few plays, one notices the huge depth of the game.

Hand management is huge, card flow is huge, and knowing when and where to lay down your big combos is something that will take hundreds of games to master.  I am simply shocked that someone was able to pull this off and do it so brilliantly.

yomiTrogAs a game, once you have a single deck of one character, you can play– forever.  That character likely will never get any other cards you can buy (unless there is a team fight expansion that changes out cards) so if you just want one character to play, your cost of entry is 12$ and never anything else.  You could enter a tournament and win and be a champion with just that 12$ spend as YOMI is not about buying up cards and making decks like Netrunner or Shadowfist then playing, it’s about learning a character completely, just like a fighting game on the boob tube.

I’m not a huge fan of the art– it looks sort of like knockoff anime to me rather than the real deal, which Video Fighter and Heavy gear also had issues with. The overarching brand is ‘fantasy strike’ so it seems like the characters in the game are in some sort of Lodoss War style world. And a Panda? I guess… again, a minor quibble, especially since many of the characters are really awesome looking— they’re just not Last Blade 2 awesome.

Those of you physically near me, trust that you will be coerced into playing despite your hatred of fighting games.

More Talisman news – an official FAN expansion!

Awesome.  The guy from Talisman Island put together a real expansion along with Fantasy Flight.  This is a must buy.  Deals with having Pandora’s box in the middle if you all remember that from 2nd edition (the ending where you draw spells and adventure cards and cast them on other players until they die).

Check it out here.

I noticed reading the Talisman Island posts that 2013 marks the 30th year of Talisman’s existence.   Woah.  I wish I had started playing this in the 80’s, but it was always just sitting there on the shelf (next to Dungeon Quest) and I never bought it, then of course college happened and it ended up nearly ALL we played for a couple years there.

 

Planetary Annihilation – delayed release (for good reason)

I’ve made some kickstarter mistakes before and will do so in the future, no doubt. Planetary Annihilation, from the alpha access, has been one of the poster children for me of a Kickstarter that offered almost too much potential for awesomeness that there was no real way they could deliver. So far they didn’t (which shouldn’t be expected in this early stage of dev) and likely they won’t. RTS games are very difficult to make. Even in the genre’s heyday there were very few contenders for the best and a few experienced developers that made horrific stinkers. While Total Annihilation was great, it turned out to be a fluke as TA: Kingdoms was awful and Supreme Commander didn’t capture the magic that TA did at all. It’s no wonder Planetary Annihilation’s alpha was so bad (and should never have been released to the public). Their decision now to use the famous id Software phrase “When it’s done” in regards to the game’s release I applaud, but I really think after what the alpha shows, there is no hope for this game to be any more than a minor blip in the history of RTS games, and certainly not worth playing for more than a couple days at most. Unique concept, poorly executed from a design standpoint is the crux of what the reviews will be.

Look at the tone change in the latest Kickstarter update:
>>>
That means Planetary Annihilation will launch when we feel confident about its level of polish and the amount of awesome we can jam into it. We don’t have a hard date moving forward. However, we do expect it to be feature-complete in early 2014.

“We are extremely happy at what we’ve been able to accomplish with the game so far, but we want to take some additional time to make sure we are releasing the best game we can,” said Jon Mavor CTO of Uber Entertainment.

“I want to thank everyone who kickstarted and pre-ordered the game again because without you this game wouldn’t have became a reality.”
>>>

Look what’s happening above. Typically you have a kickstarter message coming from a team member speaking directly to the kickstarter group– a direct communication without it being a press release sent out to gaming or business publications to publish AS THEIR OWN MESSAGE. What UBER did above was make it SEEM like it was from a team member, but then they quoted another team member within the same message like an official press release–this is a very very strange level of professional PR work for a kickstarter. Why not have the message direct from Jon Mavor? It’s as if at this point instead of the actual developers that we ‘paid’ to make the game speaking to us, the kickstarter people, we now have some sort of PR intermediary that is going around capturing quotes (or writing them for approval) within Uber to create what amounts to a professional press release–not to game mags, but to US. If the releases started off that way, I guess that would be normal, but the message above makes me think something changed very drastically at Uber in terms of what they want the kickstarter people to know. And I think that’s the realization that the game they are making currently sucks and “will never match their teaser videos.”

This is case in point of being wary of big, lauded kickstarters– they make so much money sometimes over what they are asking that something must happen to the developers and designers– that they think their game IDEA (since at the kickstarter time for most of these it’s not a reality) is goldplated by virtue of the amount of dollars they got– and this is indicative of what the final product will be. Grant you the idea for PA is great, but the execution and design decisions will have to be flawless to compete even with Company of Heroes 2 let alone Starcraft 2.

Lastly, I think the developers of this game bowed to pressure to put SOMETHING out after the kickstarter– and I believe kickstarter people exert a lot of pressure on studios to show stuff LONG before they are ready for it, and long before they SHOULD show it when they are starting from scratch, which is what PA’s team is doing. The studios focus their attention on pleasing the kickstarter people with shiny stuff when they need to be hidden away in a cave making a good game. I honestly believe they cast some design decisions in stone FAR to early when they should have been extremely willing to leave them on the cutting room floor if the game’s quality required it. While it’s because of us that this game is being made, it may be because of us that this game is impossible now to make well..hence we get the PR talk now instead of direct team communication.

7-Man Eclipse

Total Spacemosh.
Total Spacemosh.

 

We didn’t get the simutaneous rules quite right (at all) but it worked out in the end and was a great time. We ranged around 20 minutes per turn except for a couple turns, which for this many players + combats, is really great. I’d like to see ANY other 4X space board game with 7 players get it done with this level of satisfaction in such a short time.

One thing I guess I would like to see in Eclipse is some better diplomacy, different game objectives– like you don’t know what the game’s objective is when you start whether it’s kill ancients, take other people’s home worlds, etc. VP cards based on actions would be cool– and it would not be a crazy extension from the VP tokens they have (that you really only spend resources for at this point). Again, this would sort of merge in some of the great stuff from NEXUS OPS.

Looking forward to the next game of this, as always.

What have I been playing?

I had a busy busy couple of weeks and didn’t get much gaming in, but in my idle moments I have been trying (actually trying) to win FTL: Faster than Light and have failed again and again, which is the point I guess. It feels like an SNK fighting game. You get the hang of it and can beat the computer opponents with relative ease– and then you hit the boss and you are fucked forever (see Samurai Shodown 2 or King of Fighters 97 as examples). I’m waiting to see if anyone I know that has it has actually won it– because on easy– well, it ain’t. While the AAA titles can be awesome, FTL is case in point that almost all the PC gaming gold resides almost solely in the camp of the indy developer.

spirit

That said, I’ve finally uninstalled Rome Total War 2 (my box has my games on a small SSD so I have to free up space), because it just crashed too much– blue screens, other crashes and I just really do not like the direction they’ve gone with the fights. Even the biggest battles are over in 5-7 minutes and it all just turns into a big mob. It has some great things about it and the graphics look really good but I just ended up going back to the Napoleon expansion to Empire Total War, which if you haven’t played, is fantastic. I expected to be playing Rome Total War 2 for months and months, but that was not to be unfortunately.

Sure BF4 looks really good, but I just didn’t end up buying it. I feel like just playing Bad Company 2 would scratch that itch just fine (and it’s on Steam).

Talisman. Maurice!Bastard gifted me Talisman on Steam and I got in a game last night. It was– interesting. I think it’s a completely viable means of playing the game, and interface wise they did a fine job, but is Talisman the type of game that you want to play on the computer rather than face to face? I really don’t. I’d rather just bust out the boards and cards and go to town. Even if we only play once or twice a year that way, it’s OK.

The bad things about the game are that it’s a computer version of Talisman first of all, and second the art is terrible. Given that the 4th edition art was not great in the first place (I would be great if Fantasy Flight put out a new base set with new art so it could match the quality of their later expansions), the computer version is even WORSE in some areas– some of the pieces look like they took a photo of an employee and ran some photoshop filters on him and slapped it in the game. Pure garbage. Overall I’m going to give it a go. Since I’ve played hundreds of times, the base set is really not that exciting. If they get some expansions, that may be cooking with gas– but of course that will lengthen the game.

One thing that came up last night to haunt me is that I drew the Monk and the bastard asked me what I would do to fix it in 4th edition. Here I go to great length about it, but short version is that since the new version of Talisman allows players to collect CRAFT trophies as well as Strength (2nd edition allowed only Strength trophies to be collected and traded), there is no way to fix the Monk as he was originally– he would simply be the most powerful character in the game. So what did FF end up on? A guy who can’t use weapons and armor and adds +3 to his rolls in combat. Really you have a 5 STR character who can have a spell early on. Granted they tried to make up for this character’s weakness by piling on the FATE counters, he’s still one of the craptacular characters in the game (like the Elf and Dwarf).

Now what have you been playing?