So the new Aphex…

$_57
It’s Musak for the space ports she would show up in.

It’s very complex.  I wanted to give it a few listens (many listens for certain tracks) to give my complete layman’s take on it.  For starters, it’s not the best Aphex Twin record ever, but I would slap it squarely in the Analord/Tuss paradigm of his work– if you liked The Tuss stuff especially, this will be an excellent listen for you.  And I do mean excellent.

What’s best about SYRO is that similar to much of Aphex Twin’s later work, it rewards careful and repeated listens.  There are things going on that you will absolutely not catch the first time through, and many of the changes are incredibly subtle.  It’s challenging, and I love that about it.  That said, this means the album is not easy to get into, and defies casual listening a bit.  Who gets an Aphex record for casual listening anyway?

Favorite tracks?  At first my favorite track on the record was the Japanese ONLY track called  MARCHROMT30A edit 2b 96 [104.98].  Get this for sure if you can.    Other than that, PAPAT4 is excellent and the middle of the album is just fantastic throughout.  However, the first two tracks are probably my favorites (minipops and XMAS_EVE10).  XMAS is an absolute MONSTER electronic track at over 10 minutes.   Like Druqks’ Mt Saint michel mix+st micha, XMAS has many complicated and layered changes leading to a point where you think the track is over after culminating it’s core melody, but it keeps going into places beyond.  It’s one you will listen to over and over and over and keep finding new stuff going on.   Minipops is probably the poster-child for this record, if there was one track that captures the essence of the entire album, this one is it.

That said, there is one stinker on the record– that Aphex Twin likely slapped on their to troll the fans.  I won’t spoil it, but you can likely guess (it’s not the last track!).    The final track is a song that I heard first played from a piano swinging in the air last year on some video on youtube.  It’s very pretty and Druqksesque but quite a contrast from the rest of the album.  The second to last track (let’s just call it WASR10 for short) is just OK.  The rest of it is pretty awesome and rewards careful attention.  Still, not his absolute best record (which is Come to Daddy IMO), but highly recommended.

Cosmic Encounter for the iPad/Android Kickstarter

xenophile
Yeah!

There is only one best board game in existence and it’s Cosmic Encounter.   What’s more, the Fantasy Flight version is absolutely superb and everyone should have it and play it.  That said, we can’t always get together to game in person, quite rarely actually, and while I played the current online version, it was really JUST the mechanics and is missing the biggest part– human interaction.

So I’m really quite excited about the direction the Cosmic Encounter iPad version is going.  First, they’ve stated that they won’t have a game engine powering the game– the pieces will be there but the PLAYERS figure out what to do with it.  That will free us up to handle all the crazy stuff, and they won’t have to program what amounts to an insane amount of edge cases that Cosmic Encounter would require.  In fact, Cosmic is a game of almost ALL edge cases!   Secondly the focus on Voice.  It’s going to be key for Cosmic to be fun in it’s (near to) true form that players can wheel and deal, and a little text box just isn’t going to cut it.

Anyway, I’ve gotten fucking hammered with Kickstarters lately (Feng Shui and the 13th Age Glorantha Kickstarters) and a few of the video game ones I’ve backed have been failures (Planetary Annihilation is a great example) so I was a little hesitant– but this is the king of all board games and could be a great experiment in both implementation of a social game and the evolution of Cosmic.

Here’s the link.